Tuesday, March 25, 2014

Judy Chicago


I think Judy Chicago is the first person in feminist art and I choose her “The Dinner Party” to ananlyze to try to improve my own work



The Dinner Party is an installation artwork based on 39 mythical and historical famous woman.
The installation is triangular and there are 13 place setting on each of the three sides of the table making 39 settings in all.
One side honors women from Prehistory to the Roman Empire, the second side honors women from the beginnings of Christianity to the Reformation and the last side from the American Revolution to feminism. 
Each place setting features a table runner embroidered with the woman's name and images or symbols relating to her accomplishments, with a napkin, utensils, a glass or goblet, and a plate.
The white floor of triangular porcelain tiles, called the Heritage Floor, is inscribed with the names of a further 999 notable women each associated with one of the table place settings. [http://en.wikipedia.org/wiki/The_Dinner_Party]

The triangular shape is a symbol of the female. It is also an equilateral triangle to represent equality. The patten in plate presented in a special order that it start flat and end in higher relief. The special order mean to represent modern woman’s gradual independence and equality.
Then let me turn to the artist- Judy Chicago. Her birth name is Judith Sylvia Cohen. She changed her last name to Chicago where she was born because of her strong personality and thick Chicago accent. The most important reason is she wants to something independent og being connected to any man by marriage or heritage. The way she changed her last name really inspired me that this female artist contraled her own art formal and it is also the social part of production.

The Dinner Party is an installation and I have described the shap. In technology, Judy used sculpture, embroidery, silkscreen to build it. But in social, The Dinner Party celebrates traditional female accomplishments such as textile arts (weaving, embroidery, sewing) and china painting, which have been framed as craft or domestic art , as opposed to the more culturally valued, male-dominated fine arts . Judy found that many achievements of women ignored in history that the history of literature and date are rarely record about these achievements. So she want to change perception in women through The Dinner Party to ensure the history of female will be real justice. Then women can get more respect and protection.
Feminist themes:
Based on the first part of this paper, The Dinner Party is created by a women and be created becase of women. Like I mentioned before, the patten like vulva is just a symbol of femal body. The work shouted: your body is a battlefield, let’s fight. In addition to the shape, the technology of these patten also spical. In traditional, painting and sculpture is often considered the mainstream art form and they belong to men. Comparatively speaking, textile likes weaving, embroidery, sewing and ceramics are craft and inferior art because they belong to women. The Dinner Party extensive used these women’s art to rewrite the western cultural history by male. Whether look at it in formally, artist gender, technology or meaning, The Dinner Party is a downright feminist declaration.
Back to my own project. There are mamy similarities between Jucy and I likes I also use women’s body like a symbol and I am a lady. But my work just show the status of women suffered now. From The Dinner Party, I learned the importance of past time. Judy’s work related to past time to present by examining the treatment of women in the past to connected the morden city. I have research the feminist history, but my work just express a state and I ignore the earlier history before feminists. I will begin to notice such information.

BODY